Take this Pursuit Quiz to find out which character you are. We update the quiz regularly and it’s the most accurate among the other quizzes.
Grenades play an important role in “Pursuit,” a film starring John Cusack and Emile Hirsch as a father and son who are estranged. If the prospect of those actors piques your interest, put a stop to it. This action thriller, directed by Brian Skiba, would have gone straight from postproduction into a bargain bin at a rundown video emporium in a dark alley where rats scurried in a previous era.
Rick (Hirsch), a hacker, stares at a computer screen as the film begins. He’s looking for his wife, who has been kidnapped by a drug cartel linked to his father, Jack (Cusack). In search of answers, Rick turns off the monitor, grabs his submachine gun, and hits the cartel where it hurts. He’s clearly not your average hacker, with face tattoos and a skill set honed from being a crime boss’s son. When he barges into a drug deal, he makes Mike Breslin (Jake Manley), an N.Y.P.D. detective who was in the middle of a sting, his nemesis. Also, you must try to play this Pursuit quiz.
Soon after, the action shifts to Arkansas, where a cartel boss assigns his only son to track down Rick. Detective Breslin has also traveled to Arkansas; his pregnant wife was a victim of the cartel, and he and Rick struck a deal.
There will be good cops, bad cops, and one sultry sheriff’s deputy. There will be splatters of blood. The grill on which Jack is constantly grilling steaks will be among the casualties. And, with its themes of bereaved husbands, bad fathers, and twisted sons, “Pursuit” will attempt to appear as if some thought went into the screenplay. Also, you will find out which character are you in this quiz.
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Hacking and tracking appear ridiculous and difficult to take seriously by the standards of dated technology. Perhaps more amusing is the scene in which Rick begins locating on his computer while a prostitute sits on the bed in the background, looking as bored as everyone else. Shootouts are embarrassingly conceived, with one awkwardly cutting to a mall patron for far too long, implying that he is about to be shot. Almost every melee fight has the most basic sound effects imaginable. When it comes to torture sequences, the filmmakers sometimes don’t even bother trying to spend any money, most notably when one character is supposed to be stabbing a fork into someone’s eye, except it’s shot from an angle where the object is nowhere near the high, despite what the sound design wants you to believe. There is, however, no more tone-deaf moment than a line directed at a babysitter during the climax, which had me in fits of laughter. Pursuit is indeed so bad that it must be seen to be believed, but it is also far from competent or enjoyable. It also indulges in excessive gratuitous violence without justification for the most part.