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Most of us remember watching Disney princess movies as children, and almost everyone has watched at least one of them. Generations of girls have grown up with these fancy, beautiful princesses, who can even serve as role models with their generosity and love. The influence of these princess films, on the other hand, is far from benign. Many of them instilled in children the suffocating constraints of gender roles and highlighted the importance of appearance and beauty standards. However, in recent years, Disney has worked to reimagine what it means to be a Disney princess. This approach provides new generations, particularly females, hope that they can be powerful on their own.
There are two kinds of Disney Princesses: conventional and contemporary, and three eras: the Classics Era, the Renaissance Era, and the New-Age Era.
The Classics Era (1937-1959)
Snow White, Cinderella, and Sleeping Beauty were all meek and temperate Classics-Era princesses. They waited for someone to come and save them. These princesses also meet conventional beauty standards. Also, you must try to play this What Type Of Princess Are You Test.
What Type Of Princess Are You Test
Snow White is the stereotypical princess: beautiful, gentle, and innocent. In the film, she does nothing but clean the house for seven males and was saved by another. Cinderella is more developed, but she still struggles to move beyond the confines of requiring someone to save her; she is interested in the world, but she ends up with the powerful Prince Charming who saves the day. When Aurora is a newborn in “Sleeping Beauty,” the fairies bestow upon her the gift of beauty rather than intelligence or personality. As the story progresses, we don’t get to see Aurora’s character depth—only her beauty and grace. Gender stereotypes and the objectification of submissive female characters were at their height during the Classical Period.
The Renaissance Period (1989-1999)
The Renaissance Era of Disney Princesses, also known as the “rebel children era,” appears to have been a wake-up call for a necessary change from being conventional to being a reformer. While the Renaissance Era improved on the Classics Era by having princesses more interested in the world rather than performing housework for others, Disney kept to the theme of princesses needing someone. Ariel, Belle, Jasmine, Pocahontas, and Mulan are all from this era.
Disney finally succeeded in creating a complicated character with Ariel. Ariel is the best singer among her sisters, but she is curious about life on land. After encountering Prince Eric, she resolves to give up her singing voice in exchange for the chance to become a human. She grows into a self-sufficient princess who does not need anybody else’s support, even if it means going against her family and community.
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Belle from “The Beauty and the Beast” is another outstanding illustration of Disney’s evolution. In Belle, we witness a lady whose most distinguishing feature is not her beauty, but rather her knowledge and love of reading. She doesn’t belong in society, and she even performs an entire song about how she wants to leave it. As the novel progresses, we see that she is less concerned with appearance and more drawn to the “ugly, fearsome” Beast’s compassionate attitude and enormous heart. Jasmine, like Belle, continues to follow in her path and defies society’s expectations that she marry someone of political importance. Aladdin even mentions Jasmine’s intelligence and ambition a couple of times, which is unusual for Disney. Jasmine is also the first Disney princess of color, which was a groundbreaking step at the time.
The New-Age Era (2009-present)
The New-Age Era, commonly known as the “independent woman era,” is the most recent and most egalitarian era of Disney princesses. Tiana, Rapunzel, Merida, Elsa, Anna, and other characters are included. Tiana epitomizes the new meaning of a princess. She works hard to attain her goals and maintain her commitment to her father, and she does not rely on shortcuts or a guy to get there. She is honest in all situations, even when it is difficult, which makes her the best role model of all the Disney princesses.
Another Disney princess wished to see life outside of her tower, where she had been imprisoned for her whole youth and adolescence. Rapunzel is a free-spirited, artistic, and headstrong young woman. Despite Mother Gothel’s warnings that the outside world is filled with evil and that Rapunzel would be unable to bear it, Rapunzel followed her intuition and chased her ambition. Rapunzel is a powerful, determined character who defies the image of women as naive, weak, and insufficient on their own.
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