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Yara will stand out from other Netflix films since it is based on the true story of the horrific murder of a 13-year-old girl, Yara Gambirasio. She never returned home after leaving a sports center in Brenbate di Sopra (Italy) one evening. After three months, the investigation takes a tragic turn when her body is discovered.
Yara digs deeper into the measures that a prosecutor, Letizia Ruggeri (Isabella Ragonese), had to face to locate the person guilty for Yara’s death, in a move that will arguably please true-crime enthusiasts who love to scrutinize the investigations. Yara depicts the difficult war that many Italians were obsessed with within the early 2010s. Also, you must try to play this Which Yara Movie Character Are You quiz.
Which Yara Movie Character Are You?
What distinguishes this murder case from others is that it is the first time DNA has been used in such a manner in Italy. This is because there was no DNA database previous to Yara’s murder. So, in order to find the individual guilty of Yara’s death, the detectives had to fabricate one. You’ll have to keep an eye on Yara to find out if they’re effective. Furthermore, Isabella Ragonese, who portrays the lead prosecutor, excels in her job. You will not want to miss her performance.
Because the film is based on true events, the drama does not end when the credits roll. If the audience conducts a fast Google search after the 1hr 35mins film concludes, they will discover that there are some unsolved questions. This is an engaging film with excellent performance and writing. However, like with other films based on true events, it can be difficult to watch at times.
To begin with, Ruggeri is not a particularly endearing character. She’s rash jumps to conclusions, and in her haste to get someone jailed, she ends up pinning the entire thing on the wrong person, to begin with. To be fair, the second part of this picture significantly improves her character, but it’s a bit of a mountain to climb after such a rocky start.
The real issue here, however, is the stalled screenplay. There’s almost no suspense, drama, or thrills, and to be honest, a lot of that is due to the music – or lack thereof.
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Large swaths of Yara are filled with oppressive stillness, with discussions taking place in the absence of an ambient score. At its worst, the editing cuts these scenes at odd times, with individuals hanging around aimlessly, waiting for the scene to go. It has an unprofessional vibe to it and absolutely disrupts the flow of the film. It doesn’t help that the picture is littered with protracted cuts and situations in need of more punchy outcomes.
As an example, there’s a scene in the middle of the film where Ruggeri feels she’s lost her daughter. There is no music and only simple scene transitions from one section to the next as she begins her hunt through the campus. She wanders gently along the corridors until she finds her.
Why not include some dramatic string sections? Close-ups of Ruggeri’s face, perhaps, or just some other angles? This is only one scene, and Yara is full of them; a film that desperately needs to be re-edited and paced better. Yara, on the other hand, feels like a somber and flatlined crime drama, missing the drama.
Unfortunately, Yara is not a memorable film. While the case should not be forgotten, this awful replication should. While the story is adequate, you’d be better off viewing a documentary rather than this, as everything here is in serious need of a makeover.
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