Respond to these rapid questions in our The Hangover quiz and we will tell you which The Hangover character you are. Play it now.
This is what I’m referring to. “The Hangover” is a hilarious film from start to finish. Its design is amusing. Every circumstance is amusing. The majority of the conversation is hilarious almost line by line. We eventually find ourselves caring a little about what happened to the absent bridegroom, and the fact that we almost care is also amusing.
The film begins with a woman receiving bad news on her wedding day. Her fiance’s best friend is in the Mojave Desert with a bloodied lip and three other men, none of whom are her fiance. They’ve already lost him. He informs her that the ceremony will not take place.
We go back two days to their bachelor celebration road trip to Vegas. Doug (Justin Bartha), her future spouse, will be accompanied by two of his friends, schoolteacher Phil (Bradley Cooper) and dentist Stu. (Ed Helms). Her brother Alan (Zach Galifianakis), an overweight slob with a Haystacks Calhoun beard and an injunction against coming within 200 feet of a school structure, will join them.
Doug will be gone the next morning. The other three have been missing for several hours, and none of them recall anything since they were on the roof of Caesars Palace, drinking Jagermeister shots. They want to know how you wake up in a $4,200-per-night suite with a tiger, a chicken, a wailing infant, a missing tooth, and a belly button pierced for a diamond dangle. And why does the doorman bring a police car around when you hand him your parking ticket? And where has Doug gone?
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During a very long day that includes a fact-finding visit to a wedding chapel, a violent encounter with a small but very mean Chinese mobster, a sweet hooker, an interview with an emergency room doctor, and an encounter with Mike Tyson, whose tiger they appear to have stolen, he is fairly nice about it under the circumstances. There is never a reason given for the poultry.
Despite these occurrences, “The Hangover” is more than just a good time. I won’t go so far as to call it a character study, but all three guys have serious personality issues, and the Vegas trip works like emergency therapy on them. His bitchy fiancée has absolute power over the dentist. The teacher has no qualms about stealing money for a class excursion. Alan, too…
The Hangover Quiz
Well, Zach Galifianakis’ portrayal is the type that catapulted John Belushi to stardom after “Animal House.” He is short and stocky, wants to be liked, has a yearning spirit, and was born knowing nothing. It’s a testament to Galifianakis’ acting that we believe him when he asks the clerk at the check-in counter, “Is this the genuine Caesars Palace? “Does Caesar live in this house?”
Also, you will find out which character are you in this The Hangover quiz.
Todd Phillips directed “The Hangover,” whose previous films “Old School” (2003) and “Road Trip” (2000) had their highlights but didn’t prepare me for this. The script is by Jon Lucas and Scott Moore, whose previous film, “Ghosts of Girlfriends Past,” did not fare well. This film was penned rather than assembled from off-the-shelf components from the Apatow Surplus Store. The dialogue has a remarkable degree of detail and observation: these characters aren’t generically funny, but particularly funny. The performers do a good job of convincing us.
Phillips has them meet a slew of strange characters, which is normal, but the characters aren’t. Mr. Chow (Ken Jeong), the vertically challenged naked man they discover locked in the trunk of the police vehicle, is strong, proficient in martial arts, and genuinely concerned about Alan’s obesity. He thinks almost anything a fat man does amusing. He is not to be trifled with when he discovers his clothes and his henchmen. “Well, actually, I’m an escort, but stripping is a good way to meet clients,” says Jade (Heather Graham), a stripper. She isn’t the stereotypical good-hearted young lady, but rather a genuine young lady looking to meet the perfect guy.
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The friends are piecing together clues from the ER doctor, Mike Tyson’s security recordings, and a mattress impaled on the uplifted arm of one of the Caesars Palace statues in their search for Doug. The story slams into them.
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If the film concludes somewhat conventionally, it almost has to; narrative housekeeping necessitates it. It, too, starts conventionally, with upbeat music and a typeface for the titles that may recall “My Best Friend’s Wedding.” But that is not the case. This is a film that earns every letter of its R classification. What happens in Vegas, particularly after you puke, stays in Vegas.
For more personality quizzes check this: Breeding Difficulty Quiz.
