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In addition to seeming impossible to write, “Perfume” must have been nearly impossible for Patrick Suskind to shoot. How do you put into words the indescribable mystique of a scent? The narration of the audiobook by Sean Barrett is the finest I’ve ever heard; he snuffles and sniffles his way to greatness and makes you feel as though he’s breathing in happiness or the essence of a stone. I once played music for “five minutes” at a dinner gathering, but nobody wanted to stop listening after that.
In Patrick Suskind’s well-known book, a deformed little orphan is accidentally born while his fishwife mother is chopping off cod heads. He is abandoned and nearly cast out with the trash after falling into the filthy charnel house that was Paris three hundred years ago. However, Grenouille matures into a somber, reserved survivor (Ben Whishaw), who has the most acute sense of smell in the entire universe and has no scent of his own.
The movie “Perfume: The Story of a Murderer” wisely restricts itself to appalling but unnamed evil and makes no reference of this prospect, despite the last quality being ascribed by legend to the offspring of the devil. Grenouille develops into a tanner while voluptuously smelling everything around him. He finally talks himself into an apprenticeship with Baldini, a master perfumer who is past his prime and has a shop on a congested medieval bridge over the Seine. Baldini is played by Dustin Hoffman.
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Mention of the bridge brings to mind the mastery with which Run Lola Run director Tom Tykwer (“Run Lola Run”) conjures a world of filthy vices, pervasive odors, and rapacious desires. Some people believe that the smell of perfume is like the presence of an apparition. Grenouille easily creates ideal colognes, but his true aspiration is to capture the essence of copper, stone, and even beauty itself. He turns into a brutal killer in the name of this final ideal.
Perfume The Story Of A Murderer Quiz
Baldini informs him that Grasse, in Southern France, is the world’s epicenter of the perfume arts, so the man goes there. I once visited Grasse during the Cannes Film Festival and encountered “the noses of Grasse,” or the men whose tastes uphold the standards of a global business, at Sandra Schulberg’s villa. They were seated around a table with a cheese and were dressed professionally. I can only picture the interest in their eyes as they looked at the cheese. Young people played on bed sheets covered in rose petals on the grass. You must give it a shot at least once.
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The fact that creatures like Grenouille don’t have pals may just be in their nature. In fact, he engages in few and basic talks. His life is almost completely internal, as it must be, so Twyker uses a narrator (John Hurt) to establish certain facts and events. Even so, the movie is primarily silent and does a marvelous job of introducing Grenouille and his surroundings. Though we will never fully comprehend him, we are unable to take our eyes off of him.
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“Perfume” starts in the foul sewer and stays gloomy and melancholy. Even though stripping someone of their fragrance is cruel, the method used in this tale is truly macabre. However, it is still true that Grenouille is motivated by his circumstances and the nature of his soul. Of course, he might actually be the progeny of the demon.
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This is a very dark movie about a total obsession that isolates the subject from all other aspects of life. You won’t stop viewing it out of fascination and horror, even if you don’t savor it. Whishaw succeeds in providing us no indication of his personality other than a strong, primal need. Additionally, Dustin Hoffman creates an eccentric old master whose life is also influenced by scent, albeit in a more positive way. Hoffman serves as another reminder of his skill as a nuanced and captivating character actor. Just like in “Stranger Than Fiction,” he is able to bring the right amount of humanity and humor to the Grenouille tale before tactfully leaving it at that. Even his departure is well-timed.
I’m not sure why, but I adore this tale. I have no idea why I have read the novel twice and distributed twelve copies of the audiobook. The only enjoyable aspect of the tale is how fearlessly it delves into a single, terrifying, seductive dead end and discovers a solution that is both sublime and horrifying. It required creativity to write it, bravery to film it, consideration to play it, and brave interest on the part of the audience to understand the peculiarities of obsession.
For more personality quizzes check this: Breeding Difficulty Quiz.
