Respond to these rapid questions in our The Popes Exorcist quiz and we will tell you which The Popes Exorcist character you are. Play it now.
Max von Sydow was perfectly cast as the older priest battling evil in “The Exorcist,” according to Roger Ebert, who wrote about it in his original 1973 review: “He has been through so many religious and metaphysical crises in Ingmar Bergman’s films that he almost seems to belong on a theological battlefield the way John Wayne belonged on a horse.”
With Russell Crowe playing Father Gabriele Amorth, a theologian, journalist, book author, and the pope’s appointed exorcist, “The Pope’s Exorcist” mixes those two images. Amorth is a wily, hardy priest who approaches every new mission like a gunslinger. He has an exorcism kit with crucifixes and holy water that he transports in a container the size of a saddlebag in place of pistols, rifles, and hunting knives. His mount is a red-and-white scooter that, despite being too small for Crowe’s body as a character actor who likes to let it all hang out, makes for an excellent sight comedy. Even though he insists on carrying a tiny whiskey flask, Amorth has a scratchy throat. He is portrayed in both writing and acting like one of those droll, hard-bitten badasses that elderly but still well-liked action performers like Burt Lancaster, Kirk Douglas, and (yep) John Wayne used to play in 1960s Westerns. Their fictional characters exposed the hypocrisies of so-called civilization while still defending it. They could still be startled after having seen it all.
The movie, which was directed by Julius Avery (“Overlord”) and was very, very, very loosely based on a true account of a priest whose life was chronicled in a documentary by William Friedkin (“Exorcist”), follows Amorth as he travels to a dilapidated convent in rural Spain to exorcise a little child. Although it has been marketed as a horror movie, it is more frantic and impatient than spooky and creepy, especially when it cuts between parallel action scenes taking place in the abbey and back at the Vatican (where Franco Nero plays the pope, who is aware that there is more going on than a typical possession). In the end, it’s a religious action movie with Western undertones about an elderly gunslinger who pairs up with a sincere but inexperienced younger companion (Daniel Zovatto’s Father Esquibel) to protect women and children from a terrifying foe.
But you shouldn’t waste any more time and start this The Popes Exorcist quiz.
Julia, a widowed mother of two whose husband passed away in a car accident two years prior and left her the aforementioned abbey, is portrayed by Alex Essoe. She plans to renovate the building in order to sell it and use the proceeds to pay off family obligations. Julia has a teenaged daughter named Amy (Laurel Marsden) who is rebellious in a way that would’ve been called “loose” at one time, and a 12-year-old son named Henry (Peter DeSouza-Feighoney) who ends up a host for supernatural evil, which manifests itself in pretty much the same way it has since Friedkin adapted William Peter Blatty’s source novel: profanity, blasphemy, open sores, vomit, biting, levitation, bodies twisting in anatomically impossible ways. etc.
The Popes Exorcist Quiz
The most innovative part of the movie is the introductory sequence, in which Amorth handles what amounts to an appetizer exorcism by trash-talking evil and igniting its haughtiness in order to deceive it into defeating itself. Think of James Bond in a turned-around collar or a theological cousin of Detective Columbo, whose peculiar mannerisms and messy appearance cause suspects to underestimate him. The scene is just engaging enough to get our hopes up that we’ve been introduced to a rare original character with endless franchise potential. Even the postscript gives the impression that Amorth is joining the Avengers Initiative in an exorcist fashion. By not concluding the picture with a printed title card promising “FATHER AMORTH WILL RETURN,” the producers missed a simple chance to garner applause.
Also, you will find out which character are you in this The Popes Exorcist quiz.
Sadly, “The Pope’s Exorcist” is a tolerable but not particularly noteworthy remake of exorcism movie clichés, with side trips into a Vatican conspiracy story that has been compared to Dan Brown’s writings but only flimsily links with church horrors and scandals. As a result of the punchline’s absurdity and complexity, it appears to absolve the Church of responsibility for the Inquisition and the pedophilia cover-up by claiming that “the devil made them do it.”
About the quiz
The performance by Crowe elevates the film. He portrays Amorth as a conceited cut-up who responds to cruel teasing with a deadpan smirk. The devil snarls that he is Amorth’s worst nightmare, to which Amorth retorts, “My worst nightmare is France winning the World Cup.” Crowe perfectly captures the character’s biting wit and dry humor. When he allows the audience to see the priest’s hidden insecurities, he becomes even more endearing. Father Esquibel informs Amorth that he has read his possession-related pieces in publications. Amorth responds that he also publishes books and adds subtly, “The books are good.” The dress, collar, fedora, and sunglasses make the figure instantly recognizable when Avery transitions to roaming views of Amorth scooting over highways and backroads on his scooter: coolly absurd, ridiculously cool.
Also, you must try to play this The Popes Exorcist quiz.
It’s easy to see watching the film again in bits and parts merely to take in Crowe’s portrayal and his co-stars’ astonishment. Although the character has a lot to prove, Crowe has been so good for so long that he plays the part with ease. To liven up a scene, he plays about and adds unexpectedly small movements and emotions. However, he never goes so far as to come off as mocking the movie. In a series of flashbacks, Amorth reveals his own spiritual pain, and Crowe plays it straight, writhing and suffering as if he were in an Ingmar Bergman film. He appears to be at a similar stage in his career as Paul Newman was in the early 1970s, when his hair began to turn gray and he began to lose most of his vanity. He is no longer in pain because of his creativity. He enjoys himself even in critical situations.
present in theaters.
For more personality quizzes check this: Breeding Difficulty Quiz.
