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There is clearly a concern that the film may not reach outside the demographic of people who once played or still play the hugely influential role-playing game. The introductions to “Dungeons & Dragons: Honor Among Thieves” at the SXSW Film Festival stressed that they “made this movie for everyone.” And there ought to be because identity has two sides. It aims at a sizable fan group that is already familiar with an IP, on the one hand. As an example, consider how well “The Last of Us” plays to watchers who haven’t played the game. On the other hand, a movie needs to be strong enough to transcend that familiarity and appeal to a larger audience. What will Dungeons & Dragons players think of this pricey venture into their preferred magical world? The erratic Dungeon Master of Hollywood might be hiding a lethal surprise around the next bend as Paramount rolls a 20-sided die in the hopes of landing on the right number.
In actuality, Dungeons & Dragons frequently excels when it is at its most ludicrously random and blatantly silly. The “we need a plan” structure of the game is attempted to be replicated by co-writers/directors Jonathan Goldstein, John Francis Daley, and Michael Gilio in a screenplay that frequently feels like it is coming up with ideas as it goes. or feigning such behavior. That is an ambitious approach to a fantasy movie, but by removing stakes and forcing humor, it can result in strangely unsatisfying sections of the finished product. It’s nearly impossible to create spontaneity, and too much of “Honor Among Thieves” comes across as happening with a wink and an acknowledgment rather than being genuinely unpolished, in-the-moment, and new. The film frequently reminds me of the “ragtag team of saviors” tone of “Guardians of the Galaxy,” and there are moments where “Honor Among Thieves” has the whimsical chaos of Sam Raimi’s “Army of Darkness,” including a great sequence involving the talking dead. However, the film frequently plays out like it’s faking what the creators love about the game instead of trying to translate it from one medium to another.
Chris Pine portrays Edgin Darvis, a former member of a band known as the Harpers, with his characteristic charisma. Edgin attempts to carry out a heist to obtain an object that can bring his wife back to life after she is murdered by the Red Wizards, an evil organization, but is betrayed and is imprisoned alongside his best friend, a stoic barbarian named Holga Kilgore (Michelle Rodriguez). The two successfully flee and learn that Forge Fitzwilliam, a former ally of their team, has taken in and lied to Edgin’s daughter Kira (Chloe Coleman). (Hugh Grant). In a number of ways, the rogue deceived Edgin and the group, including by teaming up with a vicious Red Wizard by the name of Sofina. (Daisy Head).
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In this D&D campaign, Edgin and Holga have a number of objectives: save Kira, exact revenge on Forge, halt the Red Wizards, and perhaps discover some treasure along the way. They will be reunited for the assignment with Simon, the unsure wizard (Justice Smith), Doric, the shape-shifting druid (Sophia Lillis), and Xenk, the charming paladin (Regé-Jean Page). Like in any “team of heroes” film, each of these characters brings a unique set of skills that the group will need to achieve their objectives. The writers also liberally sprinkle the movie with strange obstacles that the group must overcome, such as a clever sequence involving some undead foes and a fat dragon in a dungeon.
Dungeons Dragons Honor Among Thieves Quiz
It’s true that this sounds more geared toward fantasy players than “everyone,” but that is unavoidable. Although there are numerous allusions to D&D in the movie—name drops like “Baldur’s Gate” and “Neverwinter” elicited audible gasps during the premiere—I wouldn’t go so far as to say that those who have never created a character for a game won’t find the movie to be at all accessible. For non-gamers who may draw more similarities to works like “The Lord of the Rings” or “The Witcher” than their actual source, the majority of these allusions will sound like depth. The film’s abundance of fantasy jargon makes it seem as though its writers fondly reminisce about creating characters in their mother’s cellar when they were kids. For some individuals, that sincere interest in the D&D lore might be sufficient. What about the rest of the world?
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Love for a source doesn’t always transfer into excellent craftwork, and the filmmaking in this case is poor. When focusing on practical effects (or at least ones that appear practical—everything is CGI these days), “Honor Among Thieves” works much better in terms of the flashes and bangs and can find a tactile quality that the CGI-heavy scenes lack. The movie is more grounded than when it veers off into magic-driven sequences of people casting spells willy-nilly when Edgin and his crew are reawakening corpses to get information or Sofina is simply scowling in her malevolent makeup. In a film that should be rich in world-building in terms of style, there is also a dearth of it. Forge’s city resembles a typical fantasy video game setting, and there are few opportunities to create intriguing backgrounds for these diverse people. Visually, it appears to be a movie that won’t hold up well over time.
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The supporting cast is decently good, and Pine is leaning into the gritty charisma that, in my opinion, would have made him a huge star in the 1960s. Grant amplifying his smarm and Rodriguez kicking ass when necessary, it’s obvious that the entire cast was chosen to play to their individual strengths. Smith, a relative newcomer, finds some vulnerability, and Lillis is constantly captivating as she uncertainly assumes the role of a hero. Both are effective.
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Even with a bloated 139-minute runtime, the most startling aspect of “Dungeons & Dragons: Honor Among Thieves” is how little meat there is on these revived bones. There isn’t much room for anything else when the ensemble of characters alternates between plan A and plan B. This movie’s central theme is “What we do now?Again, that’s enjoyable when done with peers; it’s less enjoyable when the outcome is unknown.
The SXSW Film Festival in 2023 is where this evaluation was submitted. On March 31, “Dungeons & Dragons: Honor Among Thieves” will debut.
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