Respond to these rapid questions in our Winnie The Pooh Blood And Honey quiz and we will tell you which Winnie The Pooh Blood And Honey character you are. Play it now.
“Winnie-the-Pooh: Blood and Honey” adamantly desires a place in the “so bad it’s good” category by depicting what it would look like if Winnie-the-Pooh and his face-eating friend, Piglet, turned into sadistic killers. This English production, which is making its way to 1,500 theaters in America this week, aims to make fun of one’s nostalgia for their childhood. This is illustrated by what happens to Christopher Robin (Nikolai Leon) when he returns home from college and discovers that his childhood friends have turned into murderous monsters. They make their first kill before some flashy, forensic opening credits right out of a 2000s horror film. Despite how shocking it may sound, the perversion of A.A. Milne’s work is not the main cause of the issue. This is done to spite anyone who might be offended by its idea. “Winnie-the-Pooh: Blood and Honey” is too dark to be interesting to look at and lacks flow as either a horror or a comedy. The movie’s writer, director, and editor, Rhys Frake-Waterfield, wants you to “turn your brain off,” but that’s difficult to do when the dimly lit scenes frequently require you to squint to understand its nighttime horror in 100 Acre Wood.
The funniest gag is when Pooh appears in threatening shots where Leatherface or Michael Myers should be, sporting red overalls and a rubber mask that is frozen into a honey-suckling smile. Those revelations are what have me laughing the most throughout the movie, and other audience members in the theater seemed to concur. Frake-Waterfield’s Pooh and Piglet, played by Craig David Dowsett and Chris Cordell, respectively, are presented as towering psychopaths in a way that never gets old, but the film also leaves you wishing it had tried harder.
Even though it simplifies itself, “Winnie-the-Pooh: Blood and Honey” fails to stand out outside of its irreverent IP comic relief. When the Pooh and Piglet references are removed, what remains is a drab stalker thriller that uses its one-dimensional characters as punchlines for gory sequences that its limited budget can’t quite support. Five women (Maria Taylor, Natasha Tosini, Natasha Rose Mills, Amber Doig-Thorne, and Danielle Ronald) have congregated at a secluded cabin close to Pooh and Piglet’s kingdom of sadism in this instance. We know that one of them, Maria Taylor’s Maria, is traumatized by a man who stalks her back in the city, and this is her getaway; Frake-Waterfield doesn’t even amuse us with much development or concern for these women. Then, “Blood and Honey” lumps her in with other simple victims for simpler shocks: women are just as gullible as anyone who is seriously hurt by this movie, and we’re supposed to laugh at every blunder these characters make.
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a phrase I never imagined myself using: Pooh and Piglet then commence to terrorize these women, along with a few additional victims, occasionally in a manner resembling a ritual sacrifice. Only when it becomes so apparent does it cause discomfort. There are a number of women suffering from head trauma, many of whom, oddly, have black hair. Oh, no, no.
Winnie The Pooh Blood And Honey Quiz
The terror sequences in this film are far too drawn out and filled with unnecessary beats that leave dead air, regardless of how giddy or gross one finds the promise it holds. There are numerous scenes of stalking or pleading for assistance that appear to have been thrown together, and everyone is left waiting for a larger narrative perspective to complete the joke. Piglet is seen walking in a shallow indoor pool while brandishing a sledgehammer at his prey in one scenario that lacks self-awareness. Funny setup, but the action in the scenario is incredibly slow. How do you reduce a story to its bare essentials, with Pooh and Piglet more or less rampaging for 85 minutes, and make the film so dull, is the project’s most perplexing flaw.
Also, you will find out which character are you in this Winnie The Pooh Blood And Honey quiz.
For some, “Winnie-the-Pooh: Blood and Honey” will already be a success by the time it is completed and released. (and a sequel has been announced). Serviceable filmmaking be dammed, some people will want to see what a bloody Winnie-the-Pooh movie looks like, and I get that. (We find Super Bowl commercials enticing in the same way, but maybe not at feature length.) Frake-Waterfield’s film, however, is the kind of depressing curiosity that is best enjoyed with a companion, to be momentarily amused or to commiserate with. If they’re paying for it, better.
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