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More bleak midwinter on the screen might not be what a moviegoer is looking for during the real gloomy midwinter. Full disclosure: Scott Cooper’s film “The Pale Blue Eye,” which he wrote, produced, and stars Christian Bale in, is drenched in gloomy midwinterness and is set in the more rugged-than-modern Hudson Valley of New York in 1830. The blue uniforms of the cadets at West Point Military Academy, the then-emerging college where much of the action takes place, and flashes of blue water serve as visual breaks in Masanobu Takayanagi’s cinematography.
Of course, the gloominess suits the narrative. A cadet called Fry is found not only dead—by hanging, it is initially assumed—but also with his heart severed—at the Academy. The school’s highly alarmed administrators hire a retired lawman to look into the matter out of concern that a scandal could destroy the institution.
The character of Augustus Landor, portrayed by Bale, is a reclusive “cottager” who recently lost his daughter who isn’t quite an adult. He enjoys drinking, sleeps with the warm-hearted tavern proprietor (Charlotte Gainsbourg), and despite his dry wit, he is prone to melancholy. He is said to have once persuaded a criminal to confess by giving him just a “piercing look.”
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Removing the hearts from bodies is quite suggestive—there will be another. Landor quickly begins to inquire about matters of devil adoration. One of the cadets watching the detective doesn’t think that tip is reliable. He maintains that the murderer was “a poet.”
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Edgar Allan Poe is the cadet in question; he is a sensitive outcast among military braggarts and, of course, a poet in the making. Uncannily played by Harry Melling, who was equally haunting in “The Ballad of Buster Scruggs,” Poe is taken under Landor’s wing. The two are especially interested in Daniel Marquis, the academy’s doctor, and his family (Toby Jones). This family might compete favorably with the Addamses. Mrs. Marquis has a habit of breaking the family china at the last minute. Lea (Lucy Boynton), who is described as having “the falling sickness,” is a breathy, beautiful pianist who also performs the piano. Of course, Edgar develops feelings for her—as do all the other West Point guys. Lea comments on how well Edgar fits in with his morbidity, and he responds by reciting to her his poetic musings on “Lenore.” The title of the story is taken from this.
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The Pale Blue Eye,” based on a book by Louis Bayard, is one of those mysteries with such a small cast of characters/suspects that its main plot seems like a feint, and it is. For example, if you’re wondering why an actor as formidable as Bale agreed to play a part in which he solves a few murders and helps shape a major American literary figure but not much else, the answer is that he didn’t. The Pale Blue Eye doesn’t fully commit to its actual business until the ostensibly central mystery is resolved, offering up a story of loss and a misguided conclusion. Here, Bale’s persona, which has been understated and a little mysterious throughout, blossoms. and ultimately burns. The film pays tribute to the real-life person who would go on to become, among other things, the debatable father of the American detective tale while also shining a terrifying light on the murkier corners of the human heart.
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Currently playing in cinemas and going live on Netflix on January 6.Also, you must try to play this The Pale Blue Eye quiz.