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“A Separation” is both entirely unfamiliar and painfully familiar at the same time. Illustrates human motivations and behavior as well as providing a riveting peek. At what goes on behind a curtain that is rarely lifted.
Tehran Has No Face is an Iranian film unlike any other we’ve seen before. It’s a front-runner for the foreign-language Oscar and a rare triple prize winner at the Berlin International Film Festival (it won the Golden Bear for Best Film and actor and actress prizes were split between the male and female cast). Other Iranian filmmakers, like the more blatantly political Jafar Panahi, are being prohibited from working.
Imagine Alfred Hitchcock’s meticulous plotting combined with Ingmar Bergman’s terrible emotional impact: Los Angeles Picture Critics Assn. awarded the script prize to the film for the first time to a foreign-language film.
It is not uncommon for Iranian films to be excruciatingly sluggish, with the obscure subject matter and an elliptical style. ‘A Separation is a whole different story altogether.
Tehran’s smart, well-educated middle-class population, with difficulties and personal situations similar to our own, inhabits its environment. A slow-motion nightmare that threatens to ruin everything and everyone in its path develops out of the ordinary. Like droplets developing into a torrent. Also, you must try to play this A Separation quiz.
A Separation quiz
Another Berlin Prize winner from Farhadi’s previous four films, “About Elly,” was released in 2009, and the director has chosen his title with care. Unaware of its existence, this penetrating study at Iranian culture reveals the existence of rifts over class, religious practice, and political thought, However, his decision to base them all in the most intimate of all separations, that between a husband and a wife, is what makes this work so inspiring.
There are a series of unanticipated repercussions that occur as the movie unfolds. There are many shades of grey in the world. People with flaws behave badly and will make furious pleas to justice and the law in preliminary hearings that are quite similar to divorce court. Both sides are justified in their anger, but a full-blown legal war will result in destruction, and some form of face-saving agreement will have to be reached.
Women are aware of this, but males are not.
Who is going to do the woman’s labor now that Simin and Nader have parted ways? And Simin has gone to live with her mother? It’s a question of who’s going to clean Nader’s apartment and take care of his infirm and ailing father. Already, Nader’s married to an up-and-coming woman with a professional career who wants to go her own way. His new bride must be a drudge in all but name. A woman with a tiny daughter who must be brought to work every day. Razieh (Sareh Bayat), is hired as a result of Simin’s contacts.
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A 90-minute drive and the need to care for an incontinent, disoriented elderly man with no particular training make Razieh’s job difficult, but Nader has a disagreement with her about compensation, and this embarrassing interaction will bring Nader into Razieh’s and her husband’s lives (Shahab Hosseini).
The Sea Inside, The Lives of Others, The Counterfeiters, and The Secret in Their Eyes are just a few of the recent winners. But the Iranian drama A Separation, which won the award last year, falls short of “extraordinary.”
However, this does not imply that it is not worth viewing. Asghar Farhadi wrote and directed the film, which follows Nader (Peyman Moadi) when his wife Simin (Leila Hatami) leaves him.
In order to care for his father, who has Alzheimer’s, he must hire a young mother named Razieh (Sareh Bayat).
Aside from excellent performances by Moadi, Hatami, and the rest of the ensemble, the film’s power resides in Farhadi’s slow-burning plot. There is an evolution of the drama from a simple character study to one that is both an analysis of legal disputes and an evaluation of morality and truth.
As the story unfolds, A Separation becomes more and more engaging, but it also takes a bit to get going. Possibly it’s unfair to compare two films that are so different, yet there are only 60 or so films that have ever gotten such an honor.
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